Let’s Talk About the Opening Credits in What We Do in the Shadows


I’ve been doing a re-watch of What We Do in the Shadows (2019-) while waiting for the next season to eventually drop (I need my ridiculous vampire fix!). The show is just top to bottom perfect in pretty much every way, but the first eye-catching thing you see is the opening credits showing the various characters over the centuries set to the fabulous song “You’re Dead” by Norma Tanega.

The brief intro cycles quickly through portraits of the main characters in various styles of historical costume, and it’s always intrigued the art historian in me, because many of these portraits are actually very good copies of historical paintings with the faces of the actors superimposed on them. We’ve discussed crappy historical portraits in film before, and let me just say, these are entirely the opposite. Hats off to John Likens and the creative team at Method Studios who are the brains behind these masterpieces. The designers managed to emulate the historical era of each painting while the actors’ features are still recognizable. It’s not just slapping a picture over the top of an existing portrait and photoshopping it to look kinda like a painting. This took real skill and attention to historical portrait methods took a lot of care to get the portraits to look right.

My favorite, of course, is this one of Nadja (played by Natasia Demetriou), based on Henri Regnault’s 1870 painting, Salome.

Henri Regnault, Salome, 1870. Metropolitan Museum of Art, New York.


If I were Natasia Demetriou, I’d have a GIANT copy of this hanging over my living room couch.

Other notable references:

Gustave Courbet, Madame Auguste Cuoq, 1852-1857. Metropolitan Museum of Art, New York.


The portrait of Nadja uses Courbet’s painting as its basis. Laszlo’s portrait on the left is apparently an original created by the design team to match Nadja’s, but it is very evocative of portraits of gentlemen in the mid-1800s.


Juan Pantoja de la Cruz, Portrait of Diego de Villamayor, c. 1605. State Hermitage Museum, St. Petersburg, Russia.


Laszlo (the eternally wonderful Matt Berry), clean shaven and rocking that massive ruff.


William Beechey, Portrait of Mirza Abu’l Hasan Khan, Envoy Extraordinary from the King of Persia to the Court of King George III, 1809. British Library.


Nandor (played by Kayvan Novak) originated from a region in Persia at some point in the 13th century. A lot of the portraits and pictures of him reference the Islamic courts of the 16th-18th centuries.

If you’re interested in learning more about all of the portraits and paintings referenced in the opening credits of What We Do in the Shadows, check out this highly informative post on Imgur by user Cinematry. They go way deeper into the rabbit hole of this 30-second TV show intro than I could!


Do you have a favorite historical portrait from What We Do in the Shadows? Share it with us in the comments!


About the author

Sarah Lorraine

Sarah has an undergraduate degree in Clothing & Textile Design and a Master's in Art History and Visual Culture, with an emphasis on fashion history. When she’s not caught in paralyzing existential dread, she's drinking craft cocktails and writing about historical costume in film and television. She's been pissing people off on the internet since 1995.

5 Responses

  1. florenceandtheai

    This is a fun post, and one I’d vaguely hoped for. Love the real examples!

  2. Karen K.

    Two of my favorites, art history AND What We Do in the Shadows! My inner art geek is so happy!

  3. Boxermom

    I’ll have to check this out! I loved the original movie. “We’re werewolves, not swearwolves.”