Catching up with The Shadow of the Tower — Moving on to Part 2: Power in the Land. The scene opens with the Earl of Surrey, who it seems has been pardoned but is still imprisoned in the Tower for supporting Richard III.
He is visited by the Duke of Northumberland, who has been released because he had the good sense to switch to Team Henry early on.
Northumberland is wearing a brocaded velvet coat with green velvet accents and a fetching green velvet cloak-thingy over it.
Meanwhile, Surrey, who has quickly established that he’s the roguish sort, is wearing jerkin and hose of green wool. And boots. Indoors. Sigh.
It is revealed that the king intends to go on progress to the north (i.e., Yorkshire, where he’s Definitely Not PopularTM), so Northumberland is dispatched to make sure the streets are safe.
And so the king progresses safely through the streets of York in all his kingly splendor.
Meanwhile, Lord Lovell pays another visit to the Stafford brothers who are holed up in Colchester Cathedral, plotting rebellion. We won’t discuss their costumes because they’re pretty boring. But Lovell definitely brought the hair game.
Humphrey demonstrates how to achieve a close shave with a prop dagger.
And it’s only now starting to dawn on Thomas that what they’re plotting is Actual TreasonTM.
Now the scene switches to Henry, his uncle Jasper (wearing furs because he’s Welsh, I guess), and Northumberland discussing how to best flush the Staffords and Lovell out of their hole and squash the rebellion they’re surely trying to start:
Meanwhile, Queen Nitwit is being nitwitty. She’s pregnant, and she can’t understand why she’s not allowed to go with Henry on progress to the north. She is Elizabeth of York, after all.
Aaaaand, now we’re back with Lovell and Sir Humphrey Stafford. They are Dramatically Plotting RebellionTM. In order to show what a rebel he is, Humphrey is wearing a leather jacket and playing with his knife again.
The scene shifts back to Henry, Jasper, and Northumberland, who are discussing how best to head the rebels off at the pass. But none of that matters, because…
Cut to the Earl of Oxford:
Henry’s plan is to give all the rebels a chance to swear allegiance to him without penalty…
Or be excommunicated on the authority of the Pope himself, who has recognized Henry’s claim to the throne and legitimized his marriage to Elizabeth of York.
So, the rebels peace out, leaving Lovell and the Staffords to marvel at Henry’s cunning:
Henry explains to his mother what a brilliant politician he is:
And then, Henry uses a game of hopscotch as an analogy of how he plans to flush the Staffords from their sanctuary at Abingdon:
There’s some more exposition with the Staffords and who should be king after they manage to depose Henry, but I was having a hard time focusing:
Meanwhile, Lincoln, Northumberland, and Oxford are pissed off that the king has decided to ban personal liveries:
Henry can hear the bitching and moaning on the other side of his curtain, but he remains indifferent. He’s got good reasons, after all, for making it harder for nobles to raise an army against him:
Henry enters the chambers and announces he intends to discuss two matters, one of importance and one of little note. He begins with the Stafford Rebellion conspirators, who are still claiming sanctuary in the abbey at Abingdon. Then he switches to the issue of livery:
The Bishop of Exeter is dispatched to Abingdon to arrest the Stafford brothers and has them imprisoned in the tower:
A couple of largely uninteresting (from a costuming standpoint) scenes follow, in which Henry does what he does best and manipulates the defiant Abbot Sante of Abingdon into an alliance. The abbot informs Henry that of both Staffords, Thomas was the least involved in the actual act of treason. Then it switches to the Stafford brothers taking the air on the ramparts of the Tower. It’s super interesting from a plot standpoint, but yeah … Not so much costuming-wise.
The Earl of Lincoln even reappears after having been out of the picture for the past 40 minutes. He attempts to distance himself from the traitors when Humphrey tries to insinuate that he’s no better than they are. Then comes the Staffords’ trial:
Humphrey thinks he’s going to out-logic the king by having Thomas cite, in Latin, a Mercian statute that granted the right to give asylum beyond of the law of the land in perpetuity to the Abbey of Abingdon:
But of course, this is Henry VII and if you looked up “shrewd” in the dictionary, you’d find a picture of his smug face smiling back at you. He’s struck a bargain with Abbot Sante that allows for the abbot to turn over the Staffords to be tried for treason without contradicting the spiritual rights assigned to the abbot by the Church to protect anyone seeking sanctuary. The Staffords are, unpredictably, sentenced to die.
The scene cuts to Elizabeth and Margaret, discussing the attempt on the king’s life:
Henry shows up with Oxford and Lincoln in tow, anxious about Elizabeth’s ability to travel to Winchester so that their child can be born there, in order to fulfill the prophecy that Arthur would be reborn at Winchester:
In a cold cell of the Tower, the Stafford brothers come to grips with their impending deaths:
But wait! It’s a last second pardon … For Thomas. Humphrey still dies:
Northumberland and Lincoln discuss the execution and remind one another that there but for the grace of God, they go as well:
Henry meets with the abbot of Abingdon who thanks him for sparing Thomas Stafford. They discuss the abbot’s future as an ambassador for the king, which initially flatters Sante until he realizes that Henry’s basically neutered him with a hefty fine of 2,000 marks for harboring a traitor and is more or less shipping him off so he can’t cause any more trouble. Meanwhile, back at the Tower, Surrey congratulates Thomas on not being dead:
At Winchester, Elizabeth is in labor a full month earlier than expected. Margaret has ditched her hood which gives us a good glimpse of how her wimple and barbette are put together:
Henry is beside himself with anxiety, worrying that the baby won’t make it. But to everyone’s great relief, baby and mother are fine. Henry has an heir! And he’s named him *dun dun duuuun* Arthur!
Thoughts on Part 2:
Overall, the pacing and the plot were waaaaay better in this episode, compared to Part 1 (both were written by Rosemary Anne Sisson). James Maxwell is really starting to grow on me as Henry … I think he plays the role with the right amount of wry humor and slyness. He’s more of a politician than probably any king before or after, and he’s actually pretty likable.
Norma West as Elizabeth of York continues to irritate me to no end, however. I’m not sure if that’s intentional or just a byproduct of where historians viewed her position in the mid-20th century. She’s mostly simplistic and a touch too simpering for my taste. However, I really like Marigold Sharman as Margaret Beaufort. Initially, I was pretty sure Margaret was going to be Elizabeth’s antagonist, but it’s looking more like Margaret cares for Elizabeth not just as a means to secure her son’s hold on the throne, but also in a motherly way (it is mentioned a time or two that Margaret was Elizabeth’s guardian during her childhood, so there’s a history between the two women).
The costumes are, like I’ve said, a bit all over the place as far as the women’s clothes are concerned. The menswear is nicely done, looking appropriate for the period, albeit in a highly theatrical sort of way. I don’t see any real egregious issues with the costuming, only that it does look pretty dated (as most of the 1970s BBC productions tend to).
Check out Part 1, and stay tuned for Part 3!