TBT: Sense & Sensibility (1995): Marianne


The 1995 adaptation of Jane Austen‘s Sense and Sensibility is, for me, one of the ultimate frock flicks. It’s one of a spate of films from the 1990s that made a strong attempt to achieve period accuracy. Its screenplay was thoughtfully adapted by Emma Thompson, and it was directed with care by Ang Lee. The performances — by Thompson, Kate Winslet, Hugh Grant, Alan Rickman, and more — are strong and pretty much everyone is well cast. I’ve put off doing a real, thorough review of this film because while it’s not the flashiest, it’s so pivotal to me. So I’ve finally decided to break things up, looking at each main character individually, as well as some of the supporting characters in groups. According to Thompson’s script, the filmmakers have chosen the round year of 1800 in which to set the film – at least, the opening scene is March 1800.

Last week, I reviewed Elinor’s wardrobe and went over the basics of English women’s dress around 1800. Today, let’s look at Marianne, and go into how her wardrobe reflects some specific styles of the 1790s.

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1995 Sense and Sensibility

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About the author



Kendra has been a fixture in the online costuming world since the late 1990s. Her website, Démodé Couture, is one of the most well-known online resources for historical costumers. In the summer of 2014, she published a book on 18th-century wig and hair styling. Kendra is a librarian at a university, specializing in history and fashion. She’s also an academic, with several articles on fashion history published in research journals.

3 Responses

  1. Constance

    Hmmm…not being recognized as a patron though was billed for February…will keep trying I guess?


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