26 thoughts on “TBT: Othello (1995)

  1. Oh, I love this film! And you know what? Our VHS ate my copy- some time ago, come to think of it. I should buy a DVD so I can see it again.

    I thought the costumes were adequate- at least, there wasn’t anything that I found glaring. I though Fishburne was GOOD. Really good. Believable, even though I still thought that Othello was too easily led by Iago, you have to remember that Iago was one of his most trusted men. On the other hand, so was Cassio…

    Irene Jacob was ok, but didn’t really give me a strong opinion one way or another. But Kenneth Branagh- O. M. G. Best Iago I’ve ever seen. I adore Ken, but by the time 20 minutes had gone by, I hated him already. That man has mad skilz!

    1. Agree 100%! Fishburne & Branagh are fantastic together — Iago has, what? 80% of the lines in this play, which works to Branagh’s advantage, of course, but the two of them created a depth of relationship between the characters.

      The movie is currently available on streaming, not free tho.

    2. Something else I loved though- the other visual imagery. The way they handled the handkerchief. The lamps hanging around the bed.The visual contrast of Othello and Desdemona’s skin on the bed. The lighting, especially torchlit scenes. But most of all, the one that gave me shivers- the chess pieces.

  2. I loved it. Mr Fishburne was a powerful Othello and the IMHO the most believable. His bête noire, Iago, was cunningly played by Ken. I wish it was on DVD.
    Costumes were meh, tho

  3. I literally couldn’t recognize Laurence Olivier in that first picture of him in the part; I think it broke my brain a little bit as I then considered what he might look like with different (darker) ancestry; but the lower two are very evidently him, in all his black-painted-white glory.

    I’m glad more authentic representations are getting out there now.

    1. Given when Olivier’s film was done, it’s hardly a surprise.
      As to the play itself, it was also a product of its time because there was an active movement to get Great Elizabeth to deport the few thousand-odd “blackamoors” (i.e Africans) from England. A “Moor”might be an Arab, but a “blackamoor” was definitely a black African. There are some interesting representations in 16th & 17th century paintings of child servants dressed in Arabic costume.

      1. There’s a book out there (I think just titled “Blackamoor”?) you can’t get for under $100 about famous black Moors in English history; including those whom Katharine of Aragon introduced into London society through her entourage.

  4. Having seen many productions of “Othello,” with both black and white actors, as well as a “photo-negative” version with Patrick Stewart as Othello and the rest of the cast consisting of black actors, I really liked this version, although Frank Finlay is still my favorite on-screen Iago. Our well-regarded Shakespeare Theatre did a version last year with a Middle Eastern actor playing Othello. It was intense and I liked it a lot. Frankly, I would have killed to see James Earl Jones in the role 30 years ago.

    1. The only version of Othello I’ve ever seen was “O.” Do not recommend; turning Othello and company into high school students makes the story nonsensical.

  5. Urgh. That Olivier Othello. We were subjected to it at school. I hated it so much and have never forgiven Olivier. the Welles version looks just as offensive.I have never seen Othello as aggressive, just a good man driven mad by a psychopath. Nothing unusual there.
    I have often thought that it would be interesting to see a white Othello with an all non white cast, inverting the story as it were.I don’t think it has yet been done.
    I would really love to see the 90s Fishburne/Brannagh version. Must try hunting it down again.

    1. Ah hadn’t read comments when I posted. Apologies to Kathleen Norvell. There has been a “photo negative” version done on stage and with Patrick Stewart!! I do wish more stage plays ended up on screen for those of us who are theatre deprived.

  6. Thank you for reminding me how sexy Laurence Fishburne is in this. It amazes me that this is the only film version of the play to cast a black actor (O doesn’t count). Like, could we get a couple more?

  7. I would love to see David Oyelowo as Othello, although I don’t know who I’d cast as his Iago.

    1. Oh yes. Iago would be either David Oakes or Benedict Cumberbatch. Desdemona either Holiday Grainger or Rosamund Pike.

  8. It’s not a period piece but as an object of interest, Patrick McGoohan produced a film called “All Night Long” which was based on the play. The central character is a jazz musician. McGoohan plays the Iago character. Worth watching.
    As for the book, although an interesting subject, the price point is way beyond me these days. I wish I could find the original online article I had first seen. You can find more info at Original People.org/History of Blacks in Britain (but still not the original article I came across)

  9. Laurence Fishburne is my favorite Othello. He gave the character such depth, and you’re right–he and Ken played off each other perfectly in those roles.

  10. People says: “more authentic representations are getting out there now” ….. WHAT ????

    Othelo is OLD (Fishburn in this film was 34 y.o.)

    Othelo is MOOR (MUSLIM – The hat is obligatory)

    Putting Othelo as a YOUNG man, MANLY and BLACK says the Yankee ideology, not Shakespeare….

    1. Well Moor was commonly Attributed to either Black or Arabic/Middle eastern/Non-white
      in every old portiat of Othello never is he shown as a white man, actually he’s always depicted black. Even in the Story itself his blackness is constantly talked about and poked at soooooo a Black middle aged man should be the ideal Othello, never a white man unless all the roles are reversed and he is the only white man there.
      (there’s literal two and half pages of is “friend” going on and on about how beastly his dark skin is)

  11. ‘Moorish’ in that period generally describes someone from North Africa, whether black or various shade of brown. Historical representation of Othello has always been black. Even Olivier blacked up for the role.

    In many circles, 35 is middle-aged. And certainly the demographics in the period would put 35 well into middle-aged. Personally, I found Fishburne to be a good fit, and he did the role justice. Othello is an idiot, but Fishburne gave him a little more credulity.

  12. I LOVE the Fishburne version of Othello–him in the role and that movie as a whole. It’s a mood. It’s one of the few movies I think of as perfectly cast and near-perfect in almost every other way. And can we get a shout out for all those FINE men–Fishburne as Othello, Nathaniel Parker as Cassio, and even Kenneth Branagh and Michael Sheen looked HOT in this version. Laurence Olivier did a pretty good job. He and Maggie Smith made a believable couple, but the blackface was so distressing on so many levels including the fact that he looked ridiculous. I’ve long known about the Patrick Stewart version on stage, and I would have loved to have seen it. My local Shakespeare company did Othello, and the actor was fabulous. My only quibble was that they dressed him in African print clothing and wearing a kufi hat. It was so distracting. I never imagined Othello as someone who would’ve dressed in African garb because his skin already marked him out as different. Either way, Othello is my favorite play, and I look forward to more adaptations of it with men of color in the title role. David Oleyowo seems too nice to play the role, but I’d definitely be willing to watch him. In my opinion, I picture Chiwetel Ejiofor more as Othello with Alicia Vikander as Desdemona. Maybe Eddie Redmayne as Cassio and Martin Freeman or Luke Evans as Iago.

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