TBT: Happy Birthday, Walter Plunkett!


Today’s Throwback Thursday is the ultimate, because it’s Walter Plunkett’s birthday! Born today in 1902, Walter Plunkett was Hollywood costume design royalty. He began designing costumes in the late 1920s, and worked up through the 1960s designing for ICONIC films like… Gone With the WindSingin’ in the RainStagecoach. Yeah. The guy’s pretty much a god.

1939 Gone with the Wind

Production still of Walter Plunkett adjusting Olivia de Havilland’s costume in Gone With the Wind (Producing Gone With the Wind)

Plunkett was born in the next town over from me, Oakland, California, in 1902. He studied law and theater at UC Berkeley, then moved to New York. He got his start designing costumes for a vaudeville act in which he performed. He then got a job with RKO studios, designing for early hits like Rio Rita and Cimarron. At various points he worked with Western Costume Company (the biggest theatrical costume house on the West Coast), eventually freelancing as a costume designer.

It’s hard to name a historical costume film of the 1940s-50s that he DIDN’T design. According to a studio biography written in 1945,

Among Hollywood’s great style designers, Walter Plunkett holds the distinction of being the only one who confines his efforts to period costume, and he is the recognized authority in this field (Producing Gone With the Wind)

He only won one Oscar, shared with designers Orry-Kelly and Irene, for An American in Paris (1951). However, he was also nominated for That Forsyte Woman (1949), The Magnificent Yankee (1950), Kind Lady (1951), Young Bess (1953), The Actress (1953), Raintree County (1957), Some Came Running (1958), Pocketful of Miracles (1961), and How the West Was Won (1962). In 2000, the Costume Designers Guild posthumously awarded him their Hall of Fame award.

Let’s run down some of his historical costume movie highlights. You can see his full filmography at IMDB, of course.

Little Women (1933)

The classic book by Louisa May Alcott, starring Katharine Hepburn as Jo.

1933 little Women 1933 Little Women 1933 Little Women 1933 Little Women



The Three Musketeers (1935)

The first English-language talking adaptation.

1935 The Three Musketeers 1935 The Three Musketeers 1935 The Three Musketeers 1935 The Three Musketeers

A Woman Rebels (1936)

Another film starring Katharine Hepburn, who was a big fan of Plunkett’s. Hepburn plays a scandalous woman in Victorian England.

A Woman Rebels (1936)

Mary of Scotland (1936)

Plunkett had taken a break from the movie industry, when Hepburn requested him for this film (about the famous 16th century Scottish queen). Unfortunately the film was a flop!

1936-Mary-of-Scotland 1936 Mary of Scotland 1936 Mary of Scotland 1936 Mary of Scotland 1936 Mary of Scotland


Quality Street (1937)

Yet ANOTHER Katharine Hepburn vehicle, set in England in 1810.



Gone With the Wind (1939)

“During production, Plunkett had to contend with Selznick’s demands, changes in directors, and rigid Technicolor advisors. He designed over 5,000 separate items of clothing for more than 50 major characters and one hundred extras. He also managed crowd scenes to reflect the realities of war by ensuring a proper proportion of men to women and an appropriate number of women in mourning” (Producing Gone With the Wind).

1939 Gone with the Wind 1939 Gone with the Wind 1939 Gone with the Wind 1939 Gone with the Wind 1939 Gone with the Wind 1939 Gone with the Wind 1939 Gone with the Wind
1939 Gone with the Wind

(AP Photo/New Line Cinema, File)

1939 Gone with the Wind 1939 Gone with the Wind 1939 Gone with the Wind


Little Women (1949)

June Allyson and Elizabeth Taylor starred in yet another version of the classic book.

1949 Little Women 1949 Little Women 1949 Little Women


That Forsyte Woman (1949)

Greer Garson and Errol Flynn starred in this adaptation of The Forsyte Saga books.

1949-That-Forsyte-Woman 1949-That-Forsyte-Woman


Annie Get Your Gun (1950)

The popular Broadway musical (first staged in 1946).

1950-Annie-Get-Your-Gun 1950-Annie-Get-Your-Gun


Show Boat (1951)

Another stage musical adaptation, starring Ava Gardner.

1951-Show-Boat 1951-Show-Boat 1951-Show-Boat 1951-Show-Boat 1951-Show-Boat


Singin’ in the Rain (1952)

The classic, starring Gene Kelly and Debbie Reynolds. Set in 1920s Hollywood just as talking movies are being introduced, with a glorious film-within-the-film set in the 18th century (“I caaaan’t stand him”)!

1952 Singin' in the Rain 1952 Singin' in the Rain 1952 Singin' in the Rain 1952 Singin' in the Rain 1952 Singin' in the Rain 1952 Singin' in the Rain 1952 Singin' in the Rain


Young Bess (1953)

The early life of Queen Elizabeth I, starring Jean Simmons as Elizabeth and Deborah Kerr as Catherine Parr.

1953-Young-Bess Young Bess (1953) 1953-Young-Bess


Seven Brides for Seven Brothers (1954)

Another musical, this one set in Oregon in 1950.

1954 Seven Brides for Seven Brothers

The Glass Slipper (1955)

A musical adaptation of Cinderella starring Leslie Caron.

1955 The Glass Slipper 1955 The Glass Slipper

Diane (1956)

A drama about the life of Diane de Poitiers (1499 – 1566), mistress of Henri II of France, starring Lana Turner.

Diane (1956) Diane (1956) 1956-Diane 1956-Diane

Raintree County (1957)

Montgomery Clift and Elizabeth Taylor star in this American Civil War-era film.

Elizabeth Taylor in Raintree Country, 1958 1957-Raintree-County 1957-Raintree-County

What’s your favorite Walter Plunkett film, costume-wise?

13 Responses

  1. MoHub

    I remember seeing an interview with a woman who was an extra in GWTW. She said she’d challenged Plunkett on the amount of detail on her pantaloons because they wouldn’t show, and no one would know how finely detailed they were. Plunkett told her, “But you’ll know,” and she admitted that it made a huge difference in how she carried herself in the movie.

    • hsc

      That’s pretty much the gist of a much-repeated story about the legendary extravagance of director Erich von Stroheim: the producers were challenging his demands for finely finished silk undergarments for extras in “The Wedding March” (1928) by pointing out that they wouldn’t even be seen on film, and von Stroheim replied that it was a necessary expenditure, because it would make them feel more truly like aristocrats in the court of Franz Joseph, rather than the five-buck-a-day extras they really were.

      I also heard basically the same story about Adrian: someone questioned the amount of detailing he was putting on one of Garbo’s costumes (for “Camille”, I think), pointing out the camera would never find all the little lavish touches of embroidery he’d tucked into the undersides of lapels and turned-back cuffs. Adrian smiled back, “But she’ll know they’re there.”

      BTW, that first photo under “Show Boat” (1951) is actually Paul Robeson, Irene Dunne, Hattie McDaniel, and Helen Morgan in James Whale’s 1936 version for Universal, costumed by Doris Zinkeisen.

    • Ed Miller

      It wasn’t an extra, it was Ann Rutherford. And the quote wasn’t Walter Plunkett’s, it was David Selznick’s.

  2. Jennifer Soloway

    Brilliant, Brilliant designer. His costumes are more famous than he is b

  3. Richard Stephens

    One of his last films – Forbidden Planet – a HUGE influence on the look of sci fi for generations – actually a very smart, fashion forward look that had “practical comfort” for long distance space travel.

  4. brandon

    He really liked green velvet and gold embroidery alot.to bad it doesn’t seem to age well.I’ve seen the green curtain dress in person and it looked brownish mustard dirty green they said he faded it the make it look like authentic sun faded drapery but in Technicolor made it vibrant green I wonder if Technicolor just made anything one vibrant tone no matter what because the green wrapper dressing gown looked the same color as the curtain dress and the green wrapper would not of been aged if so why would they even bother with all the makeup tests in black n white because Technicolor obviously made colors so vivid.I wonder if they could, control saturation ohh the white fur what look like a 20s cocoon coat in singing in the rain is very similar design as the blue velvet peignoir worn by Scarlett when bonnie blue dies.he didn’t do true historical gowns verbatim I think because the green wrapper was almost a medieval design I guarantee you none of the actresses wore authentic underwear ever unless for camera who would wear ridiculous bloomers when all that was needed was panties it stupid to film in who knows what conditions with historic undergarments.I’m pretty sure with Vivien Leigh and her amazingly petite frame with just some good boning in a dress she would look corseted.I’m sure for some outfits she was but she was so tiny all that would be needed was boning like you can see in the green wrapper dress up close her waist was just as tiny in a dressing gown as her burgundy party dress so no I dont think with a body like Vivien a corset would be useful unless you just want the look of a corset or for scenes of her dressing I just dont believe in any post war dresses she would of wore corsets just good boning because she had so many bolero jacket type ensembles and the hoop skirts would make her look like she was an insect if she was corsetted and odd proportion onscreen plus the fabric he used form the green ivy party dress would be too thin to hide bulky undergarments maybe I’m wring I just think she wasn’t corrected that lil underbust affair she has on while napping is not cinched tight and doesn’t look like it was made for her body so no I think she would of looked best with just good old boning in the dress and the prayer dress was worn its home no need to be corsetted.the south is hot and my grandmas grandparents and parents word period dress because well it was that period and nobody wore all that junk at home in the summer they used to soak in a tub of ice in the late 1800s to say the twenties when they got electricity throughout the house not just in the formal reception areas and such when all rooms had electrical fans. they would wear a cotton dressing gown chemise and soak in an ice bath get out and lie on blankets on the floor in the foyer and reception and ballroom which was marble and take afternoon naps in wet chemises during summer .ladies would soak in ice baths before getting dressed for parties in the summer.nice assuming you lived close to an ice deliveryman and had servants to fill your bath with water and ice but I know that’s how society women and girls and I’m sure a few boys did .i would have took ice baths in a second I wouldn’t go outside to swim in dirty water atlanta is just miserable in the summer I mean just steamy misery.its why I live in san Francisco from may to September

  5. SharonD

    Brandon, you have to remember that the costumes from GWTW are coming up on 80 years old. Of course they are going to be faded and a bit tattered by now. The costumes went on a tour around America in the early 40s, and were shown in department stores, and Woolworth’s, etc…from what I read about this, it seems they were not exactly handled with care during this time. People could walk up and handle them, and the green curtain dress was even sprayed with Lysol at one point, which discolored it in streaks. The green sprigged BBQ dress basically fell apart from rot and mishandling sometime in the 60s or 70s, By the mid 70s, the bodice was all that was left of it. The blue shanty town dress was rescued from a warehouse, found crumpled on the floor. It’s a testament to Walter Plunkett and his insistence on quality that they survived in any condition at all.
    I am so very grateful and happy that they even still exist!

  6. ladylavinia1932

    I realize that most people would choose GWTW. Granted, some of the costumes are really lovely. However, I also noticed that a few modern styles seemed to creep into some of the costumes (well, to be frank, in just about in many of the period dramas during the Studio Age).

    I would choose a tie between “GWTW”, “That Forsyte Woman” and “Singin in the Rain”.

  7. Angie

    Would love to see a review of Raintree Country and Stageboat.

    • Heather

      I thought 7 brides took place in 1850 and not 1950?
      Watching Raintree County and though the costumes are not bad I am having a real hard time with all the late 1950s hair on the actresses. Why!!