Red & Dead: Mary Queen of Scots’ Execution on Screen


On February 8, 1587, Mary Queen of Scots was executed, which has, of course come up a few times in films and TV shows depicting her life. What’s interesting is that the outfit she wore to her death has been pretty well documented since the actual event occurred — but, of course, that doesn’t mean that every on-screen version gets it right.

What does the history say? Mary Stuart’s execution was a rather public event, and several different people wrote down what they saw in letters and contemporary records. Some of these were critical of Mary (such as English Protestant supporters of Queen Elizabeth) and others were a bit more flattering to her (like her Catholic friends). In Antonia Fraser’s seminal 1969 biography, Mary Queen of Scots, she sums up the scene as:

“Her satin dress was all in black, embroidered with black velvet, and set with black acorn buttons of jet trimmed with pearl; but through the slashed sleeves could be seen inner sleeves of purple, and although her shoes of Spanish leather were black, her stockings were clocked and edged with silver, her garters were of green silk, and her petticoat was of crimson velvet.

Stripped of her black, she stood in her red petticoat and it was seen that above it she wore a red satin bodice, trimmed with lace, the neckline cut low at the back; one of the woman handed her a pair of red sleeves, and it was thus wearing all red, the color of blood, and the liturgical color of martyrdom in the Catholic Church, that the queen of Scots died.*

*But it was a dark red, a sort of crimson-brown, not scarlet as is sometimes suggested.”

The footnotes in Fraser’s book refers to the Letter-books of Sir Amlais Paulet, who was Mary Stuart’s jailer from January 1585 until her death in 1587. The letters were edited by John Morris in 1874. The original description of what Mary wore on her dying day is:

“As to her dress, he says “she stood on the black scaffold with the black figures all around her, blood-red from head to foot. Her reasons for adopting so extraordinary a costume must be left to conjecture. It is only certain that it must have been carefully studied, and that the pictorial effect must have been appalling.” And he quotes from the Vray Rapport the words, “Ainsy fut executee toute en rouge.”

The rouge was not “blood-red,” but a dark red brown. Blackwood says that she wore, with a pourpoint or bodice of black satin, “un juppe de vellours cramoisi brun,” and the narrative called La Mort de la Royne d’Escosse says the same. There it is in the June inventory, “Une juppe de velloux cramioisy brun, bandee de passement noir, doublee de taffetas de couleur brune.” In the inventory taken after her death it is wanting. As it happens, if she had wished to be “blood-red,” she might have been so, for in the wardrobe there was “satin figure incarnte,” “escarlet,” and “satin incarnte.” These figure in both the June and February inventories.”

OK, so she was probably trying to make a point, given that she knew the event was something of a spectacle and she was always very conscious of her own status in the world. But she also didn’t push it to crazy heights by wearing bright red — given her background as a born-and-raised queen, perhaps that didn’t suit her dignity. She made her point distinctly, regally, true to her faith, and without excess.

How has this been portrayed on screen? Well, it starts out good and then goes to hell!


The Execution of Mary, Queen of Scots (1895)

MQoS: Mrs. Robert L. Thomas
Costume designer: unknown

I’m only including this one for amusement’s sake. It’s an early film by Thomas Edison, and Mary is portrayed by the wife of his company’s treasurer. The beheading effect is created with one of the first jump-cut camera tricks ever used on film and was truly startling to early audiences. However, I have no idea what color the costume is (not that it appears all that 16th-century in style).


Elizabeth R (1971), “Horrible Conspiracies”

MQoS: Vivian Pickles
Costume designer: Elizabeth Waller

It should come as no surprise that this insanely excellent miniseries has the best depiction of Mary’s execution garb. As with all the costumes in the show, Mary’s clothes in her brief appearance are historically accurate as possible. For her execution, she walks in wearing a black gown that is removed to show a dark red kirtle, then her ladies attache red sleeves to her gown. It is precisely as described in Fraser’s biography.

Elizabeth R (1971) - MQoS execution

She enters wearing black — it appears to be a surcote or loose gown, which works better than a doublet on TV for expediency.

Elizabeth R (1971) - MQoS execution

Putting on her red sleeves.

Elizabeth R (1971) - MQoS execution

The final effect.



Mary, Queen of Scots (1971)

MQoS: Vanessa Redgrave
Costume designer: Margaret Furse

This feature film takes a more theatrical approach, as is typical. Mary does arrive at her execution in black and disrobes to reveal a red gown, although the design is more of an approximation of 1580s than a precise reproduction.

Mary, Queen of Scots (1971)


Elizabeth I (2005)

MQoS: Barbara Flynn
Costume designer: Mike O’Neill

This two-part HBO series won several awards for costume, but I feel like O’Neill concentrated all his best work on Helen Mirren as Queen Elizabeth and gave very  little attention to Mary Stuart, whose execution was a key plot point in the first episode. She gets the red reveal but the quality of both outfits feels subpar compared to everything else in this show. What this execution lacks in historical costume, it makes up for in gruesome axe-wielding.

Elizabeth I (2005) - MQoS execution

Again, a surcote, which I’m fine with, but it looks like bathrobe velour and I side-eye that funky ruched trim.

Elizabeth I (2005) - MQoS execution

And this gown just looks poorly fitted and cheap. *sad trombone*


Elizabeth: The Golden Age (2007)

MQoS: Samantha Morton
Costume designer: Alexandra Byrne

Here’s where things really go off the rails. Director Shekhar Kapur didn’t claim to be making Elizabeth (1998) or this sequel as truly period pieces, but whoa, WTFrock is going on with this red chemise for Mary’s execution? It looks like she’s stripping down to a fantasy grecian pre-raphaelite kind of underwear — none of which is appropriate for a 16th-century queen. It’s also really bright red!

Elizabeth: The Golden Age

Off the shoulder? Really?

Mary Queen of Scots in Elizabeth: The Golden Age (2007)

So filmy, so sheer!


Reign (2017), “All It Cost Her…”

MQoS: Adelaide Kane
Costume designer: Meredith Markworth-Pollack

Including just to be complete since the show did execute Mary in the series finale. She only had a black dress though, satin with a scoop neckline and giant bell sleeves. Whatevs.

Reign (2017)

When this is the least offensive dress of the bunch, you know something’s amiss.

Reign (2017)

Yep, there’s a zipper. Off with her head!


Mary Queen of Scots (2018)

MQoS: Saoirse Ronan
Costume designer: Alexandra Byrne

It’s a repeat! Did Alexandra Byrne not have enough budget for a new dress? Or was she just feeling lazy? I don’t care because it’s still wrong. Also the black gown literally RIPS AWAY to reveal this red chemise like some velcro striptease. I laughed out loud in the theater.

Mary Queen of Scots (2018) execution

Fine, sure. But why is she wearing what looks like the Order of the Golden Fleece?

Mary Queen of Scots (2018) - execution gif

BAD design choices, ugh.

Mary Queen of Scots (2018) execution

Guess it’s not the exact same dress as in Golden Age — look at that crochet trim at the neck and sleeve!



What historical moments on screen make you go “huh”?

37 Responses

  1. Saraquill

    I’m creeped out by Fraser’s description of Mary’s garters. Who was looking that high up her skirts?

    • Kay

      Maybe the garters and stockings were reported by the ladies who helped her dress.

  2. pat

    Not part of the costume but what about the dog underneath her skirts? Did that really happen or is that some madness I picked up in a bad book?

  3. Kay

    Does anyone know what it means when it says her was “embroidered with black velvet”? Was it some sort of applique or something like chenille embroidery? This period of history is not my period of expertise when in comes to clothing.

    • Roxana

      I’ve always wondered about that myself. I can’t think what it could be but applique.

    • Frock Flicks

      Probably applique, but it could be a kind of couching as well. There were a lot of heavy surface treatments done that gave texture to garments in this period.

  4. Charity

    I LITERALLY thought the MQoS dress was the same one from The Golden Age. It was such a direct copy of the earlier film (right down to ripping off her cloak).

    Are you positive it isn’t, and that they didn’t just add the trim?

  5. Andrew Schroeder

    I think Sairose Ronan is a little taller than Samantha Morton so she must have just recycled the design rather than the actual costume.

  6. Sabrina Cardoso

    Like you would ever strip your Queen like that??

  7. Roxana

    Red was of course the color of martyrdom and Mary spent her last days posing as a martyr to her Catholic faith. Maybe it gave her some comfort.

  8. Susan Pola Staples

    My fav is Elizabeth R and Vivien Pickles. Seems to be the best and is in line with the costumes of Elizabeth I played by my favourite ERI Dame Glenda Jackson (if she’s not a Dame, she should be. Although if she’s still a MP, then she’s the Right Honourable).

    The martyrdom red of Ms Pickles Gown which is probably the red the accounts were either mentioning directly or strongly hinting at was as you know due to Mary’s staunch Catholicism and she was put up for sainthood at the time by several European Catholic monarchs.

    • Stuart Kay

      I’m am similar to the author of this piece except my obsession is Elizabeth 1 and Anne Boleyn with Mary Q of S is a strong interest also..
      With regards the costumes and historical accuracy, the various design of gowns for Mary’s beheading is terrible and not worthy of her legacy least of all on film.. What I can is when Glenda Jackson was asked to play the role of Elizabeth she refused more than once saying the historical accuracy was off and so she declined, after long negotiating Glenda accepted the role but on the conditions that the historical content was as accurate as it could be including costumes as well.. So that’s why even after forty or so years it still stands out as the best in all aspects including the beheading of Mary and her costumes.. As far as I’m aware it’s the only one where they incorporate her little terrier dog found under her skirts as its showed next to Mary’s headless body.. In real life that poor little dog was so distressed it died not long after Mary. . A pitiful and sad ending for both that really touches your heart..

      • Roxana

        Personally I am team Elizabeth all the way which gives me a very jaundiced view of Mary. I blame my bias on Elizabeth Jenkins’ Elizabeth the Great but honestly nothing I’ve read since has substantially altered my views.

      • SarahV

        Just when I thought I couldn’t love the mighty Glenda Jackson more!

  9. Sam Marchiony

    If Reign hadn’t wasted so much time on the nonsense in France with Charles and Henri apparently getting in a fight over a fictional girl, maybe Mary could’ve had a SLIGHTLY less embarrassing gown.
    But, really, a zipper? The one thing WORSE than metal grommets?

  10. Cheryl from Maryland

    There’s also the element that some costume designers/art directors are not good historians when it comes to visual images. So they often use paintings which they think might be correct without understanding that artists their own issues of artistic license and timeliness. Like this image of the Execution of Lady Jane Grey (which was supposed to be Mary Queen of Scots, but the artist couldn’t sell it). The red is the correct color, but note the 19th C off the shoulder neckline.

    • Patrick Keogh

      That’s why you look for Dutch guys. All the good 16th century English painters with access were Dutch. Except Hillard, obviously. Daniel Mytens and John de Critz the Elder provided some really good earl 1600s paintings of court figures which were probably painted from life(although it’s hard to know exactly which ones they themselves did versus their students).

  11. MoHub

    Did any of these renditions deal with the fact that it took three tries to completely decapitate Mary? Also, eyewitness accounts state that her ladies blindfolded her before she laid her head on the block, and she had to feel for it with her hands in order to locate it.

    • Trystan L. Bass

      The 2005 Elizabeth I is particularly gruesome with the axe.

      Blindfolding the execution victim is traditional, but films may not choose to do it because of how it it appears on screen.

      • MoHub

        Thanks! I hadn’t seen that one; Glenda Jackson (and maybe Bette Davis) are my go-to Elizabeths. Do you think it makes Mary appear more of a martyr to show her placing her head stoically on the block sans blindfold?

        • Trystan L. Bass

          I think it’s a mix of how the actress looks with a blindfold, does the director want the audience to identify with the character, will there be close-up shots, & overall feel of the scene.

          I compare with Anne Boleyn execution scenes where she’s blindfolded (again, traditional, typical) & it’s often played for pathos to make the character look sad & sympathetic after being tempestuous & calculating.

          MQoS tends not to have that kind of story arc, & her death is played as a virtue (& historically, her motto during captivity was ‘in the end is my beginning’), so if a director considered blindfolding to appear sad & pathetic, they’d avoid it, I suspect.