Disney Princess Historical Costume Influences: Sleeping Beauty (1959)


Disney princesses are possibly some of the best-known characters worldwide, and part of their appeal lies in their oldey-timey-ness. Each one is certainly a product of the period in which the movie was made, but they are also almost always set in a fantasy historical setting … and thus, their costumes are fantasy historical as well. In this series, we’re going to analyze each of the Disney princesses to discuss the historical influences in their costumes. We’ll work in chronological order of the movies, and then we’ll go back and do all the villains! Previously, we analyzed Snow White (1937) and Cinderella (1950) in two parts, so today, it’s all about…

Sleeping Beauty — originally released in 1950! Or, as I like to call her, “The Best Disney Princess Ever Because She Has the Best Dress and Best Crown Thank You Very Much.”

I’m not partial, not at all!

I’ve been putting off writing this one for a while, because Medieval just isn’t my gig. I can do 16th century onwards, but before about 1480 it’s all talking-out-of-my-butt. So while I’m going to offer some ideas, I’d like to crowdsource this! Medievalists, what the hell are they going for? Chime in and we’ll figure this out together.

The story of Sleeping Beauty goes something like this: The king and queen have a baby named Aurora, and having not studied up on their Emily Post, the parents conveniently forget to invite evil fairy Maleficent to the (christening? new baby party?) even though all etiquette manuals clearly state “Don’t forget to invite all the evil fairies and stuff, because otherwise some bad shit will go down.” Maleficent crashes anyway, because that’s how she rolls, and puts a spell on Aurora that when she’s 16, she’ll prick her finger on a spindle (the pointy part of a spinning wheel) and DIE. Hello, overreaction! Luckily there are good fairies there who bring the spell down to just “fall asleep for a really long time.”

The good fairies take Aurora off to their cottage in the woods to keep her away from Maleficent and spindles and SIN and TEMPTATION and STUFF. They raise her to think she is a simple country maiden. She grows up to be all pretty ‘n stuff (because this is Disney) and spends her time hanging with the forest critters. Just as her sexuality starts to BUD, she meets a handsome stranger who is really a PRINCE! They dance the Lambada and she gets pregnant and (wait that happens later)

It’s her 16th birthday! The fairies try to make her a fancy dress, but they suck at sewing. Forgetting 16 years of pretending to be simple forest folk, they finish the dress with magic and at the same time out Aurora to Maleficent (who has antennae for magic). In the world’s weirdest “honey, you were adopted” story, the fairies tell Aurora that she’s really a princess and take her back to the castle (Aurora is clearly a natural blonde, because she’s all “Okay!”) — everyone thinks that because it’s her 16th birthday, she’s all clear, despite the fact that Maleficent clearly said “BEFORE THE SUN SETS.”

Before we can get to the cake and cocktails and hookers and blow, Maleficent enchants Aurora who wanders the castle and finds the one spinning wheel still left in the attic. She pricks her finger and falls asleep, just like the curse said she would. I think the fairies find her (can’t remember), and they put her into a really cool bed and then enchant the whole castle to fall asleep, because if the princess is suffering, apparently the rest of us have to suffer too.

MEANWHILE, the prince somehow gets involved and ends up fighting and defeating Maleficent, who has turned herself into a dragon. She dies, everyone wakes up, the prince shags smooches Aurora who wakes up pregnant, they come downstairs, they dance, the king and queen and fairies are happy because their daughter is going to be on the next season of 16 and Pregnant (no wait that’s a different version of the story), and they all live happily ever after!

But let’s talk clothes, because that’s what we’re really here for!

Baby Sleeping Beauty

Swaddling! This is our only image of baby Aurora, and she’s wrapped up semi-tight — no shenanigans for her!

1959 Sleeping Beauty

And yes, swaddling babies (wrapping them tightly in cloth) was definitely done in the medieval era:

Master of Trebon, The Adoration of Jesus, c. 1380, Aleš South Bohemian Gallery.

Master of Trebon, The Adoration of Jesus, c. 1380, Aleš South Bohemian Gallery.

Sleeping Beauty’s 1950s Renfaire Maiden Dress

What’s a girl to do if she’s living the simple country life with her crazy (aunts? godmothers?) in a cottage in the forest? Why, rock the 1950s Peter-Pan collar blouse with the Renfaire (Disney was psychic!) lace-up bodice!

First layer: Beige blouse

1959 Sleeping Beauty

Beige blouse with white Peter-Pan collar…

1959 Sleeping Beauty

…and 3/4 sleeves. No sign of closure, so it must be in back?

I’m sorry, I’m not even going to try with this one. This is 100% mid-century. Notice we saw a Peter-Pan collar on Snow White, although that one had a larger neckline and the collar was more rounded. Aurora’s contrasting collar is SO typical of 1940s-50s women’s fashions.

McCall's pattern with 3/4 sleeve blouse (1948)

McCall’s pattern with 3/4 sleeve blouse (1948)

1950s pattern

1950s pattern — check the dress on the right, with 3/4 sleeves and contrasting collar.

McCall's pattern -- 1940s dress

McCall’s pattern — 1940s dress. The one on the right has a contrasting collar.

Second layer: Black overbodice

Next, we enter Renaissance faire land with the black strapless overbodice with criss-cross lacing over the bust and V waist. This really is this outfit’s only nod to being ye-oldey-timey:

1959 Sleeping Beauty 1959 Sleeping Beauty

First, let’s talk about that front lacing. Lacing as a garment closure is ancient — the Minoans did it. As women’s fashions became more fitted in the 12th and 13 centuries with the bliaut and cotehardie, lacing was frequently used as a method of bringing the gown in tight to the body (Phyllis G. Tortora and Keith Eubank, Survey of Historic Costume).

Philippa of Hainault tomb effigy, c. 1367 (Westminster Abbey)

Philippa of Hainault tomb effigy, c. 1367 (Westminster Abbey).

Jean Fouquet, Madonna Surrounded by Seraphim and Cherubim, 1452 (Royal Museum of Fine Arts Antwerp)

Jean Fouquet, Madonna Surrounded by Seraphim and Cherubim, 1452 (Royal Museum of Fine Arts Antwerp).

There are certainly examples of medieval dresses with center front lacing with some spacing between the front edges:

Ms Fr. Fv VI #1 fol.163r Illustration from the 'Book of Simple Medicines' by Mattheaus Platearius (d.c.1161) c.1470 (vellum), Testard, Robinet (fl.1470-1523) / National Library, St. Petersburg, Russia / Bridgeman Images

Ms Fr. Fv VI #1 fol.163r Illustration from the ‘Book of Simple Medicines’ by Mattheaus Platearius (d.c.1161) c.1470 (vellum), Testard, Robinet (fl.1470-1523) / National Library, St. Petersburg, Russia / Bridgeman Images

Master of the Starck Triptych, The Raising of the Cross, c. 1480/1490. National Gallery of Art

Master of the Starck Triptych, The Raising of the Cross, c. 1480/1490. National Gallery of Art.

Notice, however, that the majority of examples show what is called “spiral lacing,” where there is only one lace that loops from top to bottom (or vice versa). There are a few criss-cross laced (like you would do on a tennis shoe) examples, but they are the minority. Really, criss-crossed lacing didn’t become the norm until the 19th century.

Davide Ghirlandaio, Selvaggia Sassetti (born 1470), circa 1487-88. Metropolitan Museum of Art

Davide Ghirlandaio, Selvaggia Sassetti (born 1470), circa 1487-88. Metropolitan Museum of Art.

Now, what about the strapless-ness of that overbodice? Yeah, I got nothing! Since Renaissance faires hadn’t yet been invented, I’m guessing that, again, they got drunk and looked at dirndls.

1950s dirndls

1950s dirndls

1950s dirndl pattern (Simplicity 3485)

1950s dirndl pattern (Simplicity 3485)

On bottom: Brown skirt

Aurora wears a full, below-knee-length, light brown skirt and brown ballerina flats:

1959 Sleeping Beauty

Full, below-knee-length, light brown skirt and brown flat shoes.

1959 Sleeping Beauty

Underneath – ruffly petticoats!

live action model

And for reference, the live-action model used by the animators.

If I were being generous, I’d say that they were looking at images of medieval peasants who have tucked their skirts up to get them out of the way while they’re doing manual labor, like the two ladies in the foreground here:

Très Riches Heures du duc de Berry Folio 6, verso: June, between 1412 and 1416, circa 1440 or between 1485 and 1486. Musée Condé.

Très Riches Heures du duc de Berry Folio 6, verso: June, between 1412 and 1416, circa 1440 or between 1485 and 1486. Musée Condé.

But really, check out any late 1950s skirt, and you’ll see the exact same silhouette and length:

Catalog, 1955

Catalog, 1955

And yeah, you COULD say that Aurora’s shoes are trying for medieval. They certainly had round-toed shoes, and sort of Mary Jane-esque shoes that look a bit like a modern flat:

14th (left) and 15th (right) century shoes, Museum of London

14th (left) and 15th (right) century shoes, Museum of London.

But really, we all know they were going for this:

1950s catalogue

1950s catalogue

The Now-Traditional Cute Critter Pause

1959 Sleeping Beauty


Sleeping Beauty’s Pink Blue Gown


Now we come to it: The Best Dress in the Entire Disney Canon. Why? I can’t articulate it! It’s just SO GOOD. Clearly, it’s trying for “medieval” — but what else can we figure out?

1959 Sleeping Beauty

The original design from which the fairies work. Note in particular that collar-y thing. We’ll be coming back to that a lot.

1959 Sleeping Beauty

Sewing is fun, right? RIGHT?

1959 Sleeping Beauty

Thankfully a little magic helps.

1959 Sleeping Beauty

WHERE do I sign up for this workshop??!!

1959 Sleeping Beauty

Isn’t it LURVELY and pink?

1959 Sleeping Beauty

Nooo! Evil Team Blue strikes!

1959 Sleeping Beauty

Finished, and PINK!

1959 Sleeping Beauty

Actually this version is pretty cool…

1959 Sleeping Beauty

Bah. Team Blue cheated.

So, we’ve got a fitted bodice with multiple seams, fitted V waist, and full but A-line skirt. The sleeves are long and pointed. And then you’ve got your weird elements: that collar, and that peplum extending over the hips.

Let’s look at it on the body:

1959 Sleeping Beauty

The collar is white, and sticks up and out from the shoulders.

1959 Sleeping Beauty

The Star Trek is strong with this one. Wait, wrong movie.

So, WHAT THE HELL WERE YOU GOING FOR, DISNEY? First, I thought maybe there was some sub-regional fashion in 1384 that I didn’t know about. But I looked, and I asked some people, and here’s what I’ve come up with: 15th-century Burgundian. For those of you (like me) not terribly into Ye Oldey Medievaly Era, what that means is a mid-1400s fashion led by the Duchy of Burgundy, whereby women’s gowns developed a characteristic look, with a full bodice controlled by a wide sash at the waist, a wide collar that extended from the sash center front to the shoulder in a V or curved V shape, tight sleeves, and a full skirt. Often worn with a hennin, the pointy hat we associate with “medieval.”

Petrus Christus, Detail from the Triptych of the Crucifixion aka A Goldsmith in his Shop, 1449. Metropolitan Museum of Art.

Petrus Christus, Detail from the Triptych of the Crucifixion aka A Goldsmith in his Shop, 1449. Metropolitan Museum of Art.

Petrus Christus, Detail from Portrait of a Female Donor, c.1450. National Gallery of Art.

Petrus Christus, Detail from Portrait of a Female Donor, c.1450. National Gallery of Art.

Hans Memling, Detail from Barbara Moreel and family, 1484. Groeninge Museum, Bruges.

Hans Memling, Detail from Barbara Moreel and family, 1484. Groeninge Museum, Bruges.

Petrus Christus, Portrait of a Young Woman, circa 1470. Gemäldegalerie, Berlin.

Petrus Christus, Portrait of a Young Woman, circa 1470. Gemäldegalerie, Berlin.

Of course, if you’ve got better theories than mine, I’d love to hear about them in the comments! But I think what happened is that the character designers saw these wide, contrasting (often white) collars and moved them up and out a bit.

Now, that fitted peplum that matches the sleeves?

1959 Sleeping Beauty

“I just met my birth parents, but let’s get married anyway. I’m sure I have NO issues left to work out.”

I’ve got NOTHING. NADA. ZIP. ZILCH. Got any suggestions?

Let us note that Aurora is wearing her dress over one or more white petticoats.

1959 Sleeping Beauty

Because she’s a princess!

Yes, medieval dresses would be worn over underlayers. Usually that would be a kirtle, a fitted, sleeveless or short-sleeved gown. My fuzzy understanding suggests that they’d be more likely to be colored than white, but you probably know better than me.

Rogier van der Weyden, Detail from Crucifixion, 1440s. Gemäldegalerie, Berlin.

The orange “skirt” is her kirtle, worn under the green gown. Rogier van der Weyden, Detail from Crucifixion, 1440s. Gemäldegalerie, Berlin.

Rogier van der Weyden, detail from Saint Columba Altarpiece Triptych, c. 1455. Alte Pinakothek

You can see her yellow kirtle underneath her green gown. Rogier van der Weyden, detail from Saint Columba Altarpiece Triptych, c. 1455. Alte Pinakothek.

Luckily, us pink people get the last laugh:

1959 Sleeping Beauty

In your FACE, Team Blue!


Sleeping Beauty’s Hair & Crown

In general, Aurora’s hair is ALL 1950s:

1959 Sleeping Beauty

For one thing, BANGS. Which didn’t exist pre-1880s.

1959 Sleeping Beauty

For another, it’s long and worn down.

Interestingly, it’s much longer than the hairstyles that were fashionable in the 1950s:


A variety of 1950s hairstyles — note the hair is usually chin-length, or worn up.

The headband is very similar to that worn by Cinderella.

Finally, let’s look at her crown, which is a super cool shape:

1959 Sleeping Beauty

Most of the time, it looks like this.

1959 Sleeping Beauty

When she’s asleep, though, she gets bonus jewels.

My guess is that they were looking at images of medieval crowns like these and decided to stylize the shapes and make it more tiara-like with the high center front:

medieval crowns

Béatrice de Bourbon, Reine de Bohème, Comtesse de Luxembourg (Flickr); Queen Emma, mid-13th century; Crown, 13th century, Hungarian National Museum


Got any better theories (or hey, actual knowledge) than me about Sleeping Beauty’s historical inspiration? Share them in the comments!


About the author



Kendra has been a fixture in the online costuming world since the late 1990s. Her website, Démodé Couture, is one of the most well-known online resources for historical costumers. In the summer of 2014, she published a book on 18th-century wig and hair styling. Kendra is a librarian at a university, specializing in history and fashion. She’s also an academic, with several articles on fashion history published in research journals.

30 Responses

  1. Becky Nankivell

    The one period “crossed” lacing looks like it’s a single lace that threaded up loosely through one side, then back down the other, picking up loops from the first side as it went. Interesting.

  2. Trystan L. Bass

    First: Yes, this is The Best Disney Princess Movie, The End. Second: DUH Team Pink.

    Third: The birthday dress is more like a Victorian costume of medieval … or Star Trek, which came out in 1964, so y’know, it’s as likely as anything else.

    • Sazeraa Vegas

      I love this film, and I like the pink version too. I think I love it because of the ballet music.

  3. Dee

    Team Blue here as well! I like pink, but that particular shade just didn’t do anything for me.

    That said, and I know others have said it, but that collar is a more exaggerated and pointy version of the one found in the best-known portrait of Elizabeth Woodville (https://en.wikipedia.org/wiki/Elizabeth_Woodville#/media/File:ElizabethWoodville.JPG), Queen of England c1471. Even that necklace Aurora wears is a similar shape and in close to the same position. The brooch and thinner chain aren’t there, but that was probably for ease of animation.

    The hair could be more of the attempted medieval theme or the lingering notion that a woman’s beauty is in her hair (and it should be long to be truly feminine).

    And I’ll tell you the one that has always bothered me about the birthday preparations: they’ve been living like human women in the woods for almost 16 years, and they still don’t know how to cook or sew? How did they feed the poor girl? Or keep her out of rags? (alright, Disney movie…logic? What’s that?)

    (and speaking of medieval–try Robin Hood, 1991, with Uma Thurman. It seems to have some mysticism going on, but the costumes looked pretty accurate to me. I was hoping one of you lovely people might have reviewed it, but alas, no.)

    • Joy

      I remember from watching the movie that when Flora announces that she will sew the dress and Fauna chimes in that she always wanted to bake the cake, Merryweather protests that Flora can’t sew and Fauna never cooked. Also, Merryweather’s knowledge of what tsp means hints that she cooked for the family, while Fauna looked after Aurora and Flora cleaned the cottage. Seeing each fairy godmother attempting to do the others job did provide a source of amusement, though.

  4. Stella

    Okay, I’ll start with a disclaimer. I don’t remember ever actually watching Disney’s Sleeping Beauty, I probably did as a child but it never stuck with me.
    But moving on… I always thought her outfits were Victorian-Elizabethan-revival. Perhaps that standing collar was a crazy interpretation and amalgamation of shoulder wings and an Elizabethan standing collar? The peplum a corselet http://thedreamstress.com/2012/07/swiss-waist-waist-cincher-corset-and-corselet-whats-the-difference/corselet-ca-1867-french-silk-met/.
    Mid Victorian during the Elizabethan revival would also go a long way toward explaining that spinning wheel, the hair, the white petticoats and her shorter ‘childhood’ skirt in the woods. But medieval? I can’t reconcile her outfit with medieval at all.

  5. red*razors

    Let’s be clear here, Maleficent was THE BEST THING about that whole movie. I had the audiobook as a small child and she scared the everloving bejesus out of me as a young child.

  6. Daphne

    Hi back with more historic options for you.

    Aurora’s first dress could very likely have been Flemish in origin. Examples of shorter dresses worn by the peasantry can be seen in Flemish works of art by Jan Brueghel the Elder such as this one
    Note the women to the far left and the ones toward the front of the procession, much shorter then the dress worn by the lady of station.
    An answer for the strapless bodice can be provided by a common clothing item of the day called a partlet. This item was worn over a bodice and would cover the top of the shoulders and top of the bosom and pinned under the arms. It was normally white and could easily hide the bodice and in many paintings could be misconstrued as a shirt style top. They also had a number of collar styles including pointed. Some excellent examples can be seen here.

    Then there is the pink dress… or blue… or pink… whatever… The Dress… drives me nuts. It is not really medieval. The base corset/skirt silhouette can fit almost any time frame from the late 1400’s forward to current day. However the over all elements of the dress really put it more toward the mid 1800’s or later. Here are my reasons for this…

    The bodice…. 1- the corset/bodice top does not have the elongated stomacher or central busk that is seen in much of the fashion of the 1500-1600’s and the inclusion of said corset places the dress as well after the 1400’s. 2- She has no under dress or chemise under it which were common garments in the middle ages.

    The collar…. 1- while off the shoulder dresses date back to at least the 1600’s they were not the norm until much later. 2- Wired collars didn’t become fashionable until the mid 1600’s.. no I don’t mean the heavy ruffs worn prior but rather the high standing lace or fabric collars such as these.(These even give us a good idea where some of Snow Whites outfit comes from.)
    It could even be a mis-interpretation of a collar such as this where the chemise or a white sash puff out along the neckline of the dress.
    However these are still not quite right.

    The skirt…. 1- The odd dagged waist.. I could try to claim that this is like the dags on 1500-1600’s bodices but that would be a far stretch as those normally matched the bodice. Instead I have to go all the way to the early to mid-Victorian era for some possible thoughts on this. The following examples say or rather show it all.
    2- Multiple petticoats was not a common way to add volume to a skirt until the 1700’s. 3- She is not wearing a farthingale. These hoop skirts were worn in courts across most of Europe from at least the late 1400’s until the early 1700’s… we are no longer in the middle ages at that point.

    When looking for a time frame when all of the dresses elements can merge you end up with either late 1600’s, early Victorian, or late Victorian. In all three of these you have flowing gowns with petticoats under them, off the shoulder tops without under dresses showing, tight fitting sleeves with the dagged end, contrasting overlays at th waist, as well as options for wired collars,and skirts, bodices, and sleeves with different colors (although not as common as fully matching outfits). Every element that makes for a fantastic, enchanting fairy-tale ball gown.

    • Ms. Heather Ripley

      Hello @Daphne, it appears none of the “indulgy” links work, they just send one to the main page sadly. Thanks for your counter interpretation though, interesting. I always imagined Sleeping Beauty set in medieval times as Kendra has. Always good to hear a different point of view….

  7. Anna

    My grandma had a silvery blue dress in the 1950’s (think Dior New Look) with a waistline that came down into a series of points. It had cap sleeves and a neckline that came down to a slight point in the middle, and it had a full skirt (with room for a petticoat). My mom wore that dress again in the 1990s, when I was a little kid, and I immediately saw the similarities between that and Sleeping Beauty’s dress. My guess is that the pointy peplum was a reference to that kind of angular design in some of the Dior New Look dresses. Actually, if you give Sleeping Beauty’s gown a shorter skirt, it’s pretty much a ’50s dress.

    I’m Team Blue… because I’m now trying to re-make that same ’50s dress (it fell apart recently). I noticed from watching a lot of movies from the ’50s how popular silver-blue was, and now I LOVE that color! I want to bring it back into fashion.

  8. Lili Lottie Tuttle

    We seem to be ignoring the fact that Aurora was based on Audrey Hepburn! Her peasant dress is directly lifted from Roman Holiday with a ‘bodice’ added to make it historical (lol)

  9. thephotomuse

    to me the birthday dress has always looked like Charles James’ petal dress with sleeves and a stand up collar, so to me much more of a 50’s silhouette in every way.

  10. Allison

    Aurora is a tricky case because a lot of the elements of her design are heavily filtered through a 1950s lens. For Sleeping Beauty’s distinct look, Eyvind Earle studied the Limbourg brothers’ Très Riches Heures de Duc de Berry, the paintings of Jan van Eyck, and the Unicorn Tapestries. It’s possible that the ladies’ gowns in the Très Riches Heures, especially the illuminations for April, May, and August, influenced the off-the-shoulder sleeves and full skirt of Aurora’s gown. Although Aurora’s bangs are pure 1950s, the decision to give her long, loose blonde hair also probably came from the Limbourg brothers and van Eyck, such as the woman in pink in the Très Riches Heures’ illumination for April. https://upload.wikimedia.org/wikipedia/commons/c/c6/Les_Tr%C3%A8s_Riches_Heures_du_duc_de_Berry_avril.jpg

    A correction, Aurora doesn’t wear shoes as Briar Rose. Look at her dance in the “Once Upon a Dream” sequence again. Those feet are bare!

    Team Blue!

  11. skye

    It’s unrelated to Aurora, but this is my absolute favorite Sleeping Beauty costume fact. Here’s King Stefan Decanski of Serbia: javascript:ViewImage(‘/sv_kralj.jpg’,419,600,’St. King Stefan’)

    … and here’s Disney’s King Stefan: https://s-media-cache-ak0.pinimg.com/236x/58/72/99/587299b4d7d7e8c5ad74679f1357d92a.jpg

    If that isn’t a coincidence (and I doubt it is, given Davis and Earle’s medieval tapestry inspiration), then it’s possibly my favorite easter egg of all time.

  12. Christine Geraghty

    Just wanted to chime in on the matter of the collar on the final gown, as I’m currently working with a friend who is a seamstress to create a cosplay outfit partially based upon Sleeping Beauty. My friend has a background in reproducing historical clothing from a variety of eras, and she likened the collar to a bertha from the mid-1800’s, which she has made for other creations in the past.

    For her, it’s the peplum that is the most perplexing…she doesn’t even like referring to that element as such, but we just can’t figure out what else to call it LOL

  13. The_L1985

    Chiming in on petticoats!

    White-white wouldn’t happen (because why waste precious urine-bleaching skills on underwear?), but undyed linen for petticoats would have happened in period. After all, nobody’s likely to see them much, so unless you were stinking rich you didn’t fool with fancy dyes and embroidery.

  14. Emily

    I NEED more of these, please and thank you! You could even do Peter Pan with the real clothes the Darlings would’ve worn vs. the movie?

  15. Amanda

    I think the big thing about Disney Princess dresses is that by and large they draw on the silhouettes of whenever they’re made and a one-1850’s-ballgown-fits-all mindset. (I am SO looking at you, Beauty & the beast)
    Sleeping Beauty is something of an exception because she’s really the only Disney Princess set firmly in the medieval period. It’s interesting to hunt down possible actually historical inspirations for them – I always kind of thought they just fudged it all. Which in a lot of cases is clearly true. Also a possible reason for they lacy petticoats on Sleeping Beauty is that the dance animation was re-used from Cinderella, who’s dress had the same petticoat structure. (Also omfg, let’s do a Vienese Waltz in 14th century France whe-hey!)

    Team Pink forever.
    This was a huge thing for me as a kid because I was a pink monster and I hated that there was only ONE princess depicted in marketing stuff with a pink dress and even then they were trying to foist blue on her. I didn’t know the different colour/gender associations throughout history as a child, so it seemed so wrong to me that no Disney Princesses (THE GODDESSES of Princesses) had pink solidly locked down. It also bugged the shit out of me that Aurora didn’t have ‘Floppy’ sleeves because she was a medieval princess and medieval meant floppy sleeves. It just did. It transpires i wasn’t TOTALLY off base. Granted my beloved floppy sleeves touched more on 12th century bliaut, I’m pretty sure the 14th century tippets would have hit the right sweet spot for me, so I have some kind of closure on that sticking point.