Sarah has an undergraduate degree in Clothing & Textile Design and a Master's in Art History and Visual Culture, with an emphasis on fashion history. When she’s not caught in paralyzing existential dread, she's drinking craft cocktails and writing about historical costume in film and television. She's been pissing people off on the internet since 1995.
Big Eyes (2014) was released on December 25, 2014, the same day as another big budget costume flick, also designed by Colleen Atwood, Into the Woods... Read more →
The Pale Blue Eye (2022) recently dropped on Netflix, and I decided to give it a watch, being a fan of both Edgar Allan Poe and wacky 1830s fashion.... Read more →
The Sting (1973), starring Robert Redford and Paul Newman, is one of those classic films I have always been meaning to watch but just never got... Read more →
I don't know how many times I have to go on the record about not liking musicals, but here I am yet again, watching a musical ... and even enjoying... Read more →
I have been eagerly awaiting the release of David O. Russell's newest film, Amsterdam (2022), but only just got around to watching it. It stars... Read more →
We've gone on the record over the years about the reason we so rarely cover any war films from World War I to the Vietnam War. Mainly, it's because... Read more →
Jacob Fortune-Lloyd has been in a lot of frock flicks, but a lot of those frock flicks aren't showing up online so this list might seem deceptively... Read more →
Netflix just dropped the first season of 1899 (2022), a dark thriller that has garnered comparisons to everything from The X-Files to Lost. What... Read more →
The Young Visiters (2003) has been on my watch list for years, but I could never find a decent copy of it without buying the DVD, which mostly smacks... Read more →
It was a little over 2 years ago that we reviewed the first installment in what is allegedly becoming a bit of a franchise, Enola Holmes (2020). The... Read more →
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