TBT: Marie Antoinette (1938)

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How the hell does a historical costume-focused blog review the film Marie Antoinette (1938)? Adrian designed between 2,500-4,000 costumes for 150 cast members and about 1,250 extras; lead actress Norma Shearer alone had 34 gowns and 18 wigs. I’ve had this film on my to-do list for months now, and I keep putting it off because it’s So Huge. I rewatched the film last night, and decided to settle on the historical influences in Adrian’s over the top, classic Hollywood glamour-infused designs. Because they’re there! Hidden amongst layers of floof and millions of sequins.

First, we’ve touched on aspects of this film multiple times, so I’m not going to reinvent the wheel. I stand by my overall summary of the film, and add that the chivalric romance with Count Fersen is probably very overdone. I’m also not going to get into the hair, which I’ve analyzed for its fabulosity and its historical accuracy. Nor am I going to get into the men’s costumes (designed by Gile Steele), although you can see some of the best on the foppy and evil Duc d’Orléans; or hunt down more in-color images of the costumes on display or when they were reworn in DuBarry Was a Lady since we’ve already touched on both.

Instead, I’m going to give you a little background on Adrian’s design and making process, and then talk about the historical references in Norma Shearer as lead character Marie Antoinette’s gowns!

Do you want to read all of this review (with over 2,000 words and over 40 images) about Marie Antoinette (1938)?  The full post is available on Patreon for our subscribers! Check it out here. We’ll make this post available to everyone one year from today. Until then, only Patreon subscribers can view it!

Patreon-only post: Marie Antoinette (1938)

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We’ll be back tomorrow with a post for everyone. Just as we noted in one podcast, we want to give those who subscribe regular exclusive content. We’re also thinking of how to provide exclusive content for PayPal supporters, so if you have ideas, drop us a line!

 

 

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About the author

Kendra

Website

Kendra has been a fixture in the online costuming world since the late 1990s. Her website, Démodé Couture, is one of the most well-known online resources for historical costumers. In the summer of 2014, she published a book on 18th-century wig and hair styling. Kendra is a librarian at a university, specializing in history and fashion. She’s also an academic, with several articles on fashion history published in research journals.

6 Responses

  1. Constance

    I can never open these posts for a day or though, though I do pay a monthly fee…not sure why…every link I click tells me to sign up…

    Reply
      • Constance

        Still can’t get in yet am logged in…will try logging out and in…

        Reply
        • Constance

          No…still asking me to join…though I am billed monthly…hmmmm will try tomorrow

          Reply
          • Trystan L. Bass

            Do contact Patreon’s customer service if you can’t see posts when they’re published. I checked & the posts are set to “all patrons” & there shouldn’t be any delay. Sorry this is happening!

            Reply

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