Having a Jolly Holiday, Mary Poppins Style

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One of the earliest posts I wrote her was a breezy little Throwback Thursday on Mary Poppins (1964) on the occasion of the film’s 50th anniversary. The blog bit was never meant to be much, since the film isn’t terribly historical nor are the costumes that spectacular, it’s just a bit of Disney fluff and fun. And yet, it lives on in search, especially for people curious about Mary’s “jolly holiday” outfit, which is a fanciful riff on Edwardian whites. So why not take a closer look?

The film is supposed to be set in 1910, although the clothing often looks a bit old-fashioned for that date — more 1900 and sometimes even 1890s in the women’s styles. The choice of “1910” was specifically made to deviate from the 1930s setting of the original P.L. Travers books, upon which the Mary Poppins story is based, because Walt Disney didn’t have rights to the book’s illustrations. Even if they didn’t hit the mark, at least they weren’t infringing, so yay! Costume designer Tony Walton said of his work for Mary Poppins:

I love the turn-of-the-century look and had on many occasions worked on things by Shaw or Oscar Wilde. I wish I had been born into that period. I loved to design for it so that was a godsend to me. My most fortunate notion was giving Mary Poppins a secret life. I showed this by making her clothes gray or black or slate but showing she had a secret life by their linings, which were always flashes of crimson or some very bright color.

Btw, Walton was also Julie Andrews’ husband at the time, and the pair had just had a daughter before filming began. Connections are everything in Hollywood, but it also helps to have an excellent portfolio. Take a look at these drawings…

Mary Poppins (1964)

Jolly Holiday sketch by Tony Walton

Mary Poppins (1964)

There’s a bit of a ‘Gibson Girl’ look to these initial sketches.

Mary Poppins (1964)

This detailed drawing includes fabric swatches, showing mix of red, orange, and yellow that would be used in Bert’s jacket, to coordinate. The same red is used on Mary’s corselet and the ribbons on her dress.

The resulting ‘Jolly Holiday’ outfit itself consists of a white lace dress, trimmed in red ribbons, worn with a red corselet or swiss waist (essentially a wide, corset-like belt), and accessorized with matching hat, gloves, and parasol. Her dress is ankle-length, revealing buttoned boots also accented with red.

Mary Poppins (1964)

Practically perfect.

Mary Poppins (1964)

Partly animated.

Mary Poppins (1964)

Closeup reveals all — lace bib-front and ribbon accents on gown, white piping on corselet, pink particolor & white parrothead on parasol.

 

Many photos have been taken of the outfit on display. Everything white has faded to yellow over the 50+ years, the reds have faded to orange, and the pinks have faded to beige. The corselet / swiss waist has gone missing entirely, along with the white parrothead that topped the parasol.

Mary Poppins (1964)

The (almost) complete Mary Poppins Jolly Holiday outfit on display.

Mary Poppins (1964)

Closeup of the gown’s bodice.

Mary Poppins (1964)

The ribbons on the skirt are now orange.

Mary Poppins (1964)

The hat might be missing some flowers, but all the veiling is intact, and you can see the wired construction.

Mary Poppins (1964)

Even though the boots’ color accents are gone, you can see that they were proper buttoned boots. No zips or elastic!

Mary Poppins (1964)

The parasol is faded but still has its trimmings.

 

Now, how historical is this outfit? It definitely draws on the popularity of Edwardian white dresses, which were worn in summer and hot weather by anyone who could afford it, from the middling classes to the upper crust. Edwardian whites were also popular in portraiture, and artists from Vincent Van Gogh to John Singer Sargent painted women in white afternoon gowns, especially strolling outdoors. Here are a few that evoke a similar feeling as that of Mary’s ‘Jolly Holiday’ outfit.

Sophie Hunter Colston, painted by William R. Leigh, 1896

Sophie Hunter Colston, painted by William R. Leigh, 1896. Note hat and parasol, also bright yellow accents.

Young women in white by Paul Helleu, 1900.

Young women in white by Paul Helleu, 1900. Even has a pointed belt, similar to Mary’s corselet.

Evelyn Farquhar painted by John Lavery, 1906.

Evelyn Farquhar painted by John Lavery, 1906. Lots of blue ribbon accents and a blue parasol.

 

But what Mary’s outfit most resembles is this gown worn by Princess Mathilde of Bavaria, who died of tuberculosis in 1906.

Princess Mathilde of Bavaria, 1900s

The bodice and sleeves are a striking inspiration for the Jolly Holiday gown, down to the pattern of lace (obviously simplified for the movie). The corselet is a pale color here, but again, the inspiration is clear.

Princess Mathilde of Bavaria, 1905

Princess Mathilde seemed to like these wide corselets / swiss waists, and she’s wearing a darker colored one in another photo, taken in 1905.

The historical inspirations are evident. Even the corselet / swiss waist being a dramatically different color, well, here’s an extant example.

1896, wool gown with black satin waist, at the Metropolitan Museum of Art.

1896, wool gown with black satin waist, at the Metropolitan Museum of Art.

 

However, Walton reminds us that this scene is meant to be a fantasy, not strictly historical:

The design for Mary in the ‘Jolly Holiday’ sequence was my first attempt to come up with a deliciously ‘ice-creamy’ quality that would convey a feeling of the unexpectedly welcome treats being enjoyed by the children, and even Bert and Mary, during this holiday adventure she was creating for them all.”

This frothy outfit is a visual treat, with a pleasant nod to Edwardian fashion too. Do you agree?

 

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About the author

Trystan L. Bass

Twitter Website

A self-described ElderGoth, Trystan has been haunting the internet since the early 1990s. Always passionate about costume, from everyday office wear to outrageous twisted historical creations, she has maintained some of the earliest online costuming-focused resources on the web. Her costuming adventures are chronicled on her website, TrystanCraft. She also ran a popular fashion blog, This Is CorpGoth, dedicated to her “office drag.”

10 Responses

  1. Willow and Thatch

    Thanks for the excellent detailed look at that dress. The movie is definitely part of my subconscious. I think Mary Poppins was only on TV once this month, on Dec. 10, I may need to stream it instead now that I humming the tunes. A list of costume dramas on TV for Christmas 2017 is here, for anyone interested. http://www.willowandthatch.com/period-dramas-to-watch-christmas-2016/

    Merry Christmas Frock Flicks! Thanks for all the hard work and for a great year of meeting the period costume fix needs.

    Reply
  2. Susan Pola

    Thanks alot for the ‘Jolly Holiday Mystery Tour’. I firmly believe that there cannot be enough Mary Poppins. The movie still is a delight. This was my favourite dress Ms Andrew’s wore, but my favourite song was ‘Feed the Birds’.
    It wouldn’t be Christmas without Mary Poppins, Sound of Music, Grinch (both versions), and It’s a Wonderful Life, among others.
    Thanks FrockFlicks.
    Merry Christmas, Happy Hanukkah.

    Reply
  3. Nynke

    Thanks for this post! It is my favourite movie of all time, although this dress is not my favourite from the film (it’s the red ensemble she wears on the rooftops. So sophisticated! To make an historically accurate version is high in my bucket list).

    It is mentioned only once that the story takes place in 1910. Would that really be the case, or did they plan it at the turn of the century an did 1910 just happen to give a better rhyme in Mr Banks his song, after which they thought ‘ well, 10 years off is still close enough’?

    Reply
    • Trystan L. Bass

      Yeah, 1910 isn’t a super-exact date for the film — more that they wanted to take it out of the 1930s of the books so they wouldn’t infringe on the copyright of the book’s artwork (which Disney didn’t buy the rights to). So a general Edwardian look.

      Reply
      • Frannie Germeshausen

        I’m not up on my Women’s Suffrage history enough, but adding that plot element for the mother probably influenced the selection of era to some extent . . .

        Reply
  4. Frannie Germeshausen

    This was the first movie I saw in a theater. I was 6. Please imagine meeting that goddess on the big screen at that impressionable age. Needless to say, Julie Andrews is an idol, and Mary Poppins remains top of list. Thank you for giving MP some good FF love!

    Reply

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