In Memoriam – Those We Lost in 2019

12

Being the end of the year, we felt it appropriate to remember those who’ve passed from the frock flick world into the firmament forever. Those listed here played some part in making historical costume movies or TV better over the years.

 

Nicholas Amer (1923–2019)

Nicholas Amer - Six Wives of Henry VIII, I Claudius

British actor featured in historical movies and TV series such as Henry VIII and His Six Wives (1972), I, Claudius (1976), Lady Oscar (1979), The Draughtsman’s Contract (1982), and Borgia (2011).

 

Diahann Carroll (1935–2019)

Diahann Carroll - Roots, Courage to Love

Tony Award-winning Broadway singer and actor who appeared in the film version of Porgy and Bess (1959) and historical TV shows Roots: The Next Generations (1979), Lonesome Dove: The Series (1994-1995), The Courage to Love (2000), and Sally Hemings: An American Scandal (2000).

 

Carol Channing (1921–2019)

Carol Channing - Thoroughly Modern Millie (1967)

Tony Award-winning Broadway singer and actor who could barely be contained in films like The First Traveling Saleslady (1956) and Thoroughly Modern Millie (1967).

 

Doris Day (1922–2019)

Calamity Jane (1953)

Chart-topping singer and actor who ventured into historical fare with On Moonlight Bay (1951), By the Light of the Silvery Moon (1953), Calamity Jane (1953), and The Ballad of Josie (1967).

 

Stanley Donen (1924–2019)

Singin’ in the Rain (1952)

Best-known as the director of Singin’ in the Rain (1952).

 

Freda Dowie (1928–2019)

Freda Dowie - Upstairs Downstairs, Distant Lives

British actor featured in historical TV series such as The Brontës of Haworth (1973), Upstairs, Downstairs (1974), I, Claudius (1976), Lillie (1978), The Old Curiosity Shop (1979-1980), The Pickwick Papers (1985), Distant Voices, Still Lives (1988), Oranges Are Not the Only Fruit (1990), and Middlemarch (1994).

 

Albert Finney (1936–2019)

Albert Finney - Tom Jones (1963)

Welsh actor who starred in historical films and TV shows including Tom Jones (1963), Scrooge (1970), Murder on the Orient Express (1974), The Duellists (1977), Annie (1982), Nostromo (1996), Washington Square (1997), The Gathering Storm (2002), My Uncle Silas (2001-2003), and Amazing Grace (2006).

 

Rutger Hauer (1944–2019)

Rutger Hauer - Ladyhawke (1985)

Dutch action hero who appeared in historical movies and TV shows such as Cyrano de Bergerac (1975), Eureka (1983), Ladyhawke (1985), Flesh+Blood (1985), Amelia Earhart: The Final Flight (1994), Nostradamus (1994), The Call of the Wild (1997), Simon Magus (1999), The Mill and the Cross (2011), Francesco (2014), Galavant (2015), Admiral (2015), The Last Kingdom (2015), Drawing Home (2016), Mata Hari (2016), Samson (2018), The Sisters Brothers (2018), and Emperor (unreleased).

 

Pierre L’Homme (1930–2019)

Pierre L’Homme - Jefferson in Paris (1995)

BAFTA Award-winning French cinematographer for films including Maurice (1987), Camille Claudel (1988), Cyrano de Bergerac (1990), and Jefferson in Paris (1995).

 

Paul Le Blanc (1946–2019)

Paul Le Blanc

Academy Award-winning Canadian make-up and hair/wig artist for TV shows and movies such as Little Gloria … Happy at Last (1982), Amadeus (1984), Places in the Heart (1984), Mrs. Soffel (1984), Valmont (1989), Come See the Paradise (1990), Harlow: The Blonde Bombshell (1993), The Mask of Zorro (1998), and O Brother, Where Art Thou? (2000).

 

Serge Merlin (1932–2019)

Serge Merlin

French actor who appeared in historical movies and TV series including The Song of Roland (1978), Quand flambait le bocage (1978), Le roi Lear (1981), Danton (1983), Nous deux (1992), La rivière Espérance (1995), The Count of Monte Cristo (1998), Nicolas Le Floch (2009), L’énergumène (2011), and One Nation, One King (2018).

 

André Previn (1929–2019)

Andre Previn

Academy Award-winning German musician and composer for historical films such as Gigi (1958), Porgy and Bess (1959), Long Day’s Journey Into Night (1962), My Fair Lady (1964), Thoroughly Modern Millie (1967), The Music Lovers (1971), and Jennie: Lady Randolph Churchill (1974).

 

Clive Swift (1936–2019)

Clive Swift - Excaliber - Barchester Chronicles

British actor featured in historical TV shows and movies such as The Wars of the Roses (1965), A Midsummer Night’s Dream (1968), Dombey and Son (1969), Canterbury Tales (1969), South Riding (1974), Romeo and Juliet (1976), Henry IV, Part I (1979), Dr. Jekyll and Mr. Hyde (1980), Excalibur (1981), Winston Churchill: The Wilderness Years (1981), The Barchester Chronicles (1982), Martin Luther, Heretic (1983), Pericles, Prince of Tyre (1984), A Passage to India (1984), The Pickwick Papers (1985), and Aristocrats (1999).

 

Rip Torn (1931–2019)

Rip Torn - Marie Antoinette (2006)

American actor featured in historical TV shows and movies including The Blue and the Gray (1982), Cross Creek (1983), Dream West (1986), J. Edgar Hoover (1987), Nadine (1987), April Morning (1988), Pair of Aces (1990), Beautiful Dreamers (1990), Where the Rivers Flow North (1993), Heaven & Hell: North & South, Book III (1994), Marie Antoinette (2006), and The Golden Boys (2008).

 

Piero Tosi (1927–2019)

Piero Tosi

BAFTA Award-winning Italian costume designer for films such as Senso (1954), Careless (1962), The Leopard (1963), The Damned (1969), Medea (1969), Death in Venice (1971), Ludwig (1973), The Night Porter (1974), L’Innocente (1976), Beyond Good and Evil (1977), Lady of the Camelias (1981), La Traviata (1983), and Sparrow (1993).

 

Franco Zeffirelli (1923–2019)

Franco Zeffirelli

Italian director and screenwriter of films including The Taming of the Shrew (1967), Romeo and Juliet (1968), Brother Sun, Sister Moon (1972), Jesus of Nazareth (1977), Young Toscanini (1988), Hamlet (1990), Sparrow (1993), Jane Eyre (1996), and Tea With Mussolini (1999).

 

Have we left out anyone else who left the world of historical costume movies and TV in 2019? 

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Three historical costumers who decided the world needed a podcast and blog dedicated to historical costume movies and everything right and wrong with them.

12 Responses

  1. ladylavinia1932

    I’m surprised that you would include Franco Zeffirelli on this list, considering the allegations against him.

    Reply
    • Sarah Lorraine

      Might want to check out our article WTFrock About All These Shitty Men in Hollywood for how we approach these situations.

      In general, though, to not talk about Zeffirelli is to not talk about some hugely valuable contributions to film history and to negate the work of the women who assisted bringing those films to life. We don’t have to like someone as a person to discuss the cultural value of their artistic contributions to society.

      Reply
  2. MoHub

    Jerry Herman, composer of Hello, Dolly, Mame, and La Cage aux Folles. Neil Innes, one of the “sixth Pythons,” who wrote much of the Monty Python music and performed in several movie and TV projects.

    Reply
  3. mmcquown

    You caught quite a few that the mainstream media seem to have missed. Really surprised there had been no mention of Rutger Hauer.

    Reply
  4. Susan Pola Staples

    I didn’t know Rutger Hauer had passed. Ladyhawke was also a favourite of mine. And I adored Zeffirelli’s Romeo and Juliet. And every time I watched Il Gattopardo, I was in awe of Piero Tosi’s beautiful clothes.

    Reply
  5. Fran in NYC

    I know it’s not Frock Flick relevant but Clive Swift is also notable for playing Hyacinth’s put-upon husband in Keeping Up Appearances.

    Reply
  6. Charity

    Rutger Hauer hit me the hardest, though I was also sorry about Doris Day since I grew up watching all her musicals / movies. I adore “LadyHawke.” It’s still such beautiful, romantic, hilarious, campy fun.

    Reply
  7. Gill

    Sir Jonathan Miller whose career was multifaceted in the extreme: Wiki says he”was an English theatre and opera director, actor, author, television presenter, humourist and medical doctor.” He was overall artistic director of the middle period of the BBC Shakespeare in the 1980s, directing several personally, (he cast John Cleese as Petruchio, which worked well) and making considerable use of artworks to inform the visual effects of the plays. His “Antony and Cleopatra” was based on a painting by Veronese, “The Family of Darius Before Alexander”

    Reply

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